Tag Archives: WAF

World Architecture Festival 2013 – a report

By Team IAnD Photography: Courtesy WAF’13

October 2 -4 2013 saw three busy days of ideation, discussion and critiques on global architecture and design at the World Architecture Festival held at Moshe Safdie designed Marina Bay Sands, Singapore – a venue as awe inspiring as the projects that unfolded within its festive panorama-

The World Architecture Festival opened to enormous numbers (reportedly the biggest yet) with the theme of 2013 bring -Value and values’, -to examine the relationship between perceptions of financial value and the values that architects typically hold about their work.-

Director of WAF’13, Paul Finch commenting on the sheer quality and diversity of the projects entered into the festival, and shortlisted for the final round of awards, said that the array of projects demonstrated the increasingly global nature of the event.

Among various stalwarts from various quarters of the world, Mumbai’s Ar. Sanjay Puri’s corporate project in Jaipur -72 Screens’, was also shortlisted for the awards.

A vibrant, thought-provoking three-day session of presentations of various projects by the architects, seminars and talks on diverse issues that touch and plague the building industry were discussed and debated. Noted international speakers, project critiques and appreciations apart, everyone waited with baited breath as the ultimate honour – the winner of the World Building of the Year 2013 award was announced and granted to the Aukland Art Gallery Toi o Tamaki in New Zealand by Frances-Jones Morehen Thorp and Archimedia.

The four main award winners including World Building of the Year Award were Botanical Garden Australia designed by landscape studio Taylor Cullity Lethlean and plant expert Paul Thompson for Landscape of the Year; National Maritime Museum of China designed by Cox Rayner Architects for Future Project of the Year; and Barcelona Apartment by David Kohn Architects for World Interior of the Year.

As part of INSIDE: World Festival of Interiors, an event held in conjunction with the WAF’13 with a concentration on interior projects, shortlisted 59 outstanding interior projects across the 12 award categories, Bars and Restaurants, Creative Re-use, Culture, Display, Education, Health, Hotels, Offices, Residential, Shopping Centres, Shops, and Transport. For the complete list of awardees, do check out:

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WAF’13 Landscape Award Winner – Australian Garden

By Team IAnd Photography: Courtesy the architects

17 years into the making, the Australian garden, winner of the -Landscape of the Year Award’ at the prestigious World Architecture Festival (WAF) Awards 2013, designed by Taylor Cullity Lethlean (TCL) with Paul Thompson is a garden of discovery, of multiple experiences and of cumulative knowledge…

The completion of the Australian garden situated within the Royal Botanic Gardens, Cranbourne on the south-eastern outskirts of Melbourne, Australia, comes at a time when botanic gardens world-wide are questioning existing research and recreational paradigms and re-focussing on new messages of landscape conservation and a renewed interest in meaningful visitor engagement.

Attempting to recreate the seductive qualities of the Australian landscape that have inspired many a designer, writer and artist, the landscape design creates a sequence of powerful sculptural and artistic experiences that recognise its diversity, breadth of scale and wonderful contrasts. Via these creative landscape compositions, the project seeks to stimulate and educate visitors into the potential use and diversity of Australian flora.

On the east side of the garden, exhibition gardens display landscapes, research plots and forestry arrays that illustrate a more formal approach, whilst on the west, visitors are subsumed by gardens that are inspired by natural cycles, immersive landscapes and irregular floristic forms. Water plays a mediating role between the two, taking visitors from rock pool escarpments, meandering river bends to Melaleuca spits and coastal edges.

Visitors engage with the botanical collections via an intrinsically interpretive experience. Didactic signage is shunned in favour of a landscape design approach that captures a heightened experience not relying on mimicry or simulacra. Designed experiences such as walking across the tangle of a Eucalypt forest floor, or the passage through wind pruned coastal heath, comprises a narrative that informs the composition, while the experience reinforces the message. It aims to strike a balance between abstraction, metaphor and poetry.

Visitors are invited into the landscape via a pathway system that constantly morphs according to the landscape narrative and garden experience. Crusty paths in the Gondwana Garden shift to become an over water circular grated plate which connects to a field of stones where the actual path is no longer apparent. It allows many layers of emotional and intellectual discovery, so not every visitor will take home the same message, as each will have their own experience.

Developed in a former sand quarry, it allows visitors to follow a metaphorical journey of water through the Australian landscape, from the desert to the coastal fringe, bringing together horticulture, architecture, ecology, and art to create the largest botanic garden devoted to Australian flora. It showcases some 170,000 plants across 1700 species all adapted to its challenging site condition.

to view Images click on globalhop.indiaartndesign.com